ABSTRACT
In late December 2019, the world witnessed the outbreak of the novel coronavirus disease (COVID-19), which subsequently led to numerous social and work limitations including face-to-face communication and documentary production worldwide. While many studies have focused on the framing of COVID-19 by mainstream news agencies and political figures, few studies have concentrated on the perspectives of independent filmmakers regarding the pandemic. The challenges faced by these niche filmmakers during COVID-19 would have likely magnified and changed due to the uncertainties that befell filming and distribution. In this intrinsic case study, the researcher aims to explore the creative processes of two documentary films, Luo Luo's Fear and Entrapment, produced by emerging and experienced filmmakers, respectively, during the pandemic while participating in the Caochangdi (CCD) Workstation's Folk Memory Project. A qualitative thematic analysis was conducted on data collected from in-depth interviews with two participants and their reflective memos. This work also seeks to describe the filmmakers' experiences of filming during the pandemic and how these experiences framed their documentary filmmaking. Next, the researcher explores the salient visual framework used by the filmmakers through their documentary film analysis. Both films focused on their fears and challenges at this particular time of the pandemic, framing the entire film through internal monologues that have also become a distinctive style of their own creation. Overall, the current research contributes to the limited literature by focusing on the impacts of building of online strategies and creative community support on independent filmmakers' self-rescue during the pandemic and how visual framing can be enhanced in the study of films.